The Mindscape of Alan Moore

From Wikinormous

2003 documentary The Mindscape of Alan Moore by DeZ Vylenz


Contents

0h28m

Art is, like magic, the science of manipulating symbols, words or images to achieve changes in consciousness ... A grimoire for example, the book of spells is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people's consciousness. And I believe this is why an artist or writer is the closest thing in the contemporary world that you are likely to see to a shaman.


0h29m

Originally, all of the facets of our culture, whether they'd be in the arts or the sciences were the province of the shaman. The fact that in present times, this magical power has degenerated to the level of cheap entertainment and manipulation is I think a tragedy. At the moment the people who are using shamanism and magic to shape our culture are advertisers. Rather than trying to wake people up their shamanism is used as an opiate to tranquilize people, to make people more manipulable. Their magic box of television, and by their magic words, their jingles can cause everybody in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment.


0h32m

In latter times I think that artists and writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that art, that writing are merely forms of entertainment. They are not seen as transformative forces that can change a human being, that can change a society ... It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn't be the audience. They would be the artist.


0h50m

The alchemists had two components to their philosophy. These were the principles of Solvé et Coagula. Solvé was basically the equivalent of analysis, it was taking things apart to see how they worked. Coagula was basically synthesis, it was trying to put disassembled pieces back together, so that they worked more efficiently. These are two very important principles which can be applied to almost anything in culture. There has recently in literature for example been a wave of post-modernism, deconstructionism. This is Solvé. Perhaps it is time in the arts for a little more Coagula. Having deconstructing everything, perhaps we really should be starting to think about putting everything back together.


0h55m

Science started as an off-shoot of magic. The two became completely divorced from each other and bitter enemies. Although I tend to think that at the present moment the two are growing back together again. ... people at the cutting edge of quantum physics believe that information is a "super weird substance". ... which underlies everything in the universe.


0h56m

the theory of period information doubling ... As I understand it, at the last count human information was doubling around every 18 months. Further to this, there is a point somewhere around 2015 when human information is doubling every thousandth of a second. That means that in each thousandth of second we will have accumulated more information than we have in the entire previous history of the world. At this point I believe that all bets are off. I cannot imagine the kind of culture that might exist after such a flashpoint of knowledge. I believe that our culture would probably move into a completely different state, would move past the boiling point, from a fluid culture to a culture of steam.


1h04m

Rupert Sheldrake .. put forward the theory of a morphogenetic field.


1h11m

Our political structures, philosophical structures, ideological frameworks, economies. These are actually imaginary things, and yet that is the framework that we have built our entire world upon. It strikes me that a strong enough wave of information could completely overturn and destroy all of that.

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